Some
of the most prominent lines in Hamlet are Hamlet’s soliloquys. These are instances in the play when Hamlet
is speaking to himself, giving the audience the ability to know his
thoughts. In these soliloquys we are
able to see and feel Hamlet’s thought process and his changing mood. One such
instance is in Act II Scene ii. At
this point in the play Hamlet has come to believe that Claudius killed his
father, he comes to believe this through a ghost visitation. In these lines at the beginning he is
mourning his inability to act,
“Now I am alone.
O, what a rogue and peasant slave am I!
Is it not
monstrous that this player here,
But in a
fiction, in a dream of passion,
Could force his
soul so to his own conceit
That from her
working all his visage wann'd,
Tears in his
eyes, distraction in's aspect,
A broken voice,
and his whole function suiting
With forms to
his conceit? and all for nothing”! (II.ii.529-537)
As Hamlet continues his tone shifts to an idea he has to catch Claudius
and gain greater assurance of Claudius’ evil act. Hamlet states:
“Fie upon't!
foh! About, my brain! I have heard
That guilty
creatures sitting at a play
Have by the very
cunning of the scene
Been struck so
to the soul that presently
They have
proclaim'd their malefactions;
For murder,
though it have no tongue, will speak
With most
miraculous organ. I'll have these players
Play something
like the murder of my father
Before mine
uncle: I'll observe his looks;
I'll tent him to
the quick: if he but blench,
I know my
course.” (II.ii.570-580)
Hamlet’s thought process can be followed throughout his soliloquys. You
can see his want to act quickly according to what the Ghost has said. However,
you can also see his inability to act and follow through on what he knows he
should do. Hamlet finds a way that allows him to pass the burden of what he has
to do for a little while, by setting an interim goal. However, Hamlet needs to
remember to look at the means and the ends. If the means are aligned with the
ends than what we are doing is worthwhile. In speaking in these terms Hamlet’s
decision to catch the king through performing the play could be considered the
means of the play justifying the ends. But as we see later on, Hamlet will put
another obstacle in along the way.